He had a lot of assistants

Raphael is recognized for having a nice disposition. He may have developed an amiable demeanor while spending time in Urbino's court, and it served him well. It not only helped him gain favor with the wealthy patrons who bought his art, but it also helped him become a strong leader for his group of creatives.

Once Raphael established himself as a master in his own right, he created an outstanding studio with 50 assistants. His subordinates were properly trained to take his sketches and turn them into full works in his name, as was customary at the time.

Raphael operated like a well-oiled machine, allowing him to make progress on his most significant orders. He would assign tasks as the team's leader and ensure that the work met his requirements for quality. Because of their effectiveness, the team was able to complete the commissions Raphael was working on at the time of his passing. At the Vatican, the Sala of Constantine wasn't even started until after Raphael had passed away. Instead, Giulio Romano, Gianfrancesco Penni, and Raffaellino del Colle, three of Raphael's most talented colleagues, produced these works after his instructions.