Vincenzo

Vincenzo follows a mafia from Italy who advises the Cassano family on their return to Korea to dig up the 1.5 tons of gold that the male lead built a secret room to protect 5 years ago. When he returned to Geumga Plaza, the classic plot of Korean drama was told, Vincenzo faced the Babel corporation, who manipulate all the laws in the country with money and force. Knocking down Babel's Geumga Plaza is also what makes Vincenzo's plan possible, so foreign lawyers accidentally have to stick with residents here to carry out the coup.

Super visual: Right from the opening of the pilot episode, viewers are easily stunned by the splendid image of the landscape of the country of pasta. Despite being in stark contrast to the background full of gangsters like the series set as the premise, the arrangement that spent a large amount of time initially investing in the camera angle, the visual has served as an anchor that makes viewers admire and keep watching the series in excitement.

The script does not create the reality to the full: Exploiting the core value of political corruption, ruthlessness, power, and a knight standing up against the dictator, protecting the weak. From the start the balance of power between good and evil was so lopsided that instead of following the same old unrealistic path where Vincenzo completely changed from brutal mafia to the representative of justice, the script was "use poison to cure poison", using Vincenzo's blood law to put an end to evil. This is a harsh reality but it is completely logical, and also has its substance that makes Korean horror/drama films unique. In addition, the black comedy is a bright spot of the series, the laughter here is entertaining but also makes us feel pained by the circumstances of fate.

Expensive message: The element that unites all people, the plot of the story together, is 1.6 tons of gold. Vincenzo did everything for the residents here at first just because of the huge fortune, at the same time, the people were also "dazzled" at the golden word to the point of offending them personally. Although it mentions a lot of material values, the final bright message reflected in the wealth in the secret room does not mention money too much. Gold is the way the light of honesty in Vincenzo contradicts the criminal nature or reflects the desire for a happy life of the poor, forced by an unjust society.